This
week, I went back and re-read “The South” by Jorge Luis Borges in order to respond to our discussion question. As I was
reading it, I couldn’t help but ask myself, “Did Dahlmann ever leave the
sanitarium and die in a knife fight in the south or was it all just a dream?”
The more I looked into it, the more convinced I am that he never really left
the hospital. The most convincing quote is when Dalmann was on the train
looking out the window and thinks to himself, “Tomorrow I'll wake up at
the ranch, he thought, and it was as if he was two men at a time: the man who
traveled through the autumn day and across the geography of the fatherland, and
the other one, locked up in a sanitarium and subject to methodical servitude.” He
talks about being two different men: one who is traveling back to the ranch
(Dream) and one who is still stuck in the sanitarium (Reality) I think he is
dreaming about taking a train across the countryside and reading his book but
in reality he is imprisoned in the hospital dying. In the documentary on Borges, I remember the narrator saying something
about the themes of Borges’s writings including the idea of dreams vs. reality.
This story may be one of them. There are other parts of the story that also
lead me to believe that Dahlmann was dreaming. He even says,“The
solitude was perfect, perhaps hostile, and it might have occurred to Dahlmann
that he was traveling into the past and not merely south.” In the beginning of
the story, we are told that Dahlmann wanted to die like his maternal grandfather
so I think that by going to the South, he is traveling back in time in order to
die a romantic death. Dahlmann also saw some elements of the sanitarium on his
journey to the South, “Once inside, Dahlmann thought he recognized the
shopkeeper. Then he realized that he had been deceived by the man's resemblance
to one of the male nurses in the sanitarium.” He thought that the nurse that
was caring for him was the shopkeeper in his dream. Last, the ending seems to me like he is
dreaming his death. Dahlmann was challenged to a knife fight with gauchos in
the south and he went out to the countryside fearlessly to die, “They went out
and if Dahlmann was without hope, he was also without fear. As he crossed the
threshold, he felt that to die in a knife fight, under the open sky, and going
forward to the attack, would have been a liberation, a joy, and a festive
occasion, on the first night in the sanitarium, when they stuck him with the
needle. He felt that if he had been able to choose, then, or to dream his
death, this would have been the death he would have chosen or dreamt.” He even
says he would pick this death over dying in the sanitarium. In the beginning of
the story, we are told that Dahlmann wanted to take after his maternal
grandfather, “in the discord inherent
between his two lines of descent, Juan Dahlmann (perhaps driven to it by his
Germanic blood) chose the line represented by his romantic ancestor, his
ancestor of theromantic death”. The knife fight is the romantic death
that he had wanted to die just like his maternal grandfather’s death. I think
Dahlmann used his imagination to change his destiny. What do you think?